Może nic, może coś

  1. Jiří Kolář


Maybe nothing, maybe something

In 1965, Jiři Kolář wrote an article which revealed his creative evolution not only as a poet but also as original artist who especially concentrated on collages. The definition of evident poetry includes the circumstances of the breakup with traditional poetry, in which words carried meaning. Kolazh analyzes the essence of his visual poetry while revealing the mundane inspiration and genesis (literal and figurative). He concentrated on the so-called ‘subject poems’ and earlier gradual discovery of the varieties of collage technique. Imaging characteristics of creative learning through different kinds of collage is based on the idea of overlapping poetry and visual arts. Readers of poetry participate in writing poems based on poetic ‘instruction’. Kolazh’s non-static poetry (also known as ‘comparative texts’) can be compared with action art. At the end of the article, Kolazh analyses the perspective of that kind of literature.

Pobierz artykuł

Ten artykuł

Dyskurs. Pismo Naukowo-Artystyczne ASP we Wrocławiu

16, 2013

Strony od 156 do 162

Inne artykuły autorów

Google Scholar


Twoj koszyk (produkty: 0)

Brak produktów w koszyku

Twój koszyk Do kasy